Installation artist

In his artistic statement, Serkan Demir seeks to create a cultural map of impressions based on the political realities of the geography he inhabits. This map he relates to Eastern myth and narrative illustrates through ironic language various geographical strategies, intervention mechanisms and social practices.


The limits of faith and the transformation thereof in daily life, two of the main issues in his work, constitute the principal motifs of his artistic output in recent years.


Opting for diverse exhibition practices such as installations, moving constructions and small sculptures, the artist describes his work as texts of ‘visual investigation’.